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| The Beethoven Frieze(1902), Gustav Klimt |
1. Why has the word been so much sexualised?
2. Is it possible for all kind of desires to be united, intensified and ultimately purified?
3. What does it look like to actually live the paradox, "true freedom precisely by the narrowing of choices"in everyday life?
4. How does one make a decision on what to do next when she finds herself neither too happy nor too unhappy? Is this what's called "contentment"?
5. How is Sarah Coakley's "desire" different from, say, John Piper's "desire"? Or are they saying the same thing?
6. What was presumptuous and possibly reductive about conversion therapy, the attempts to change an individual's sexual orientation?
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